This article lists all factory and artist presets and voicings that are available for UAFX pedals when using the UAFX Control mobile app. To get UAFX Control, visit this page.
Notes
- The factory default presets for each pedal (and each effect on multi-effect pedals) are only available if you haven't loaded a preset from the app. You can save the factory default preset to the pedal so you can access it later by pressing the Preset switch, then you can store the preset by holding the Store switch. If you have already loaded a preset from the app, you can reset your pedal to recover the factory default presets. Back up your presets before you reset the pedal!
- When you load a Del-Verb Voicing, that Voicing is saved with the effect. Voicings are not editable and do not need to be saved or backed up.
About Custom Features in UAFX Factory Presets
- Factory presets marked with an asterisk (✓) in the Custom Features column indicate that the preset uses custom settings that are not available with stock pedal controls.
- After loading a custom factory preset, any custom controls that are available on knobs are maintained if controls are modified and stored as a new user preset. However, if you adjust a switch that is mapped to a custom setting, the stock settings for the switch are then used.
- To revert to all stock settings after loading a preset with custom settings, switch to Live mode and store a new preset.
Preset and voicing lists in this article:
- ANTI '92 High Gain Amp Factory | Artist
- Astra Modulation Machine Factory | Artist
- Del-Verb Ambience Companion Factory Voicings
- Dream '65 Reverb Amplifier Factory | Artist
- Enigmatic '82 Overdrive Special Amp Factory | Artist
- Golden Reverberator Factory | Artist
- Knuckles '92 Rev F Dual Rec Amplifier Factory | Artist
- Lion '68 Super Lead Amplifier Factory | Artist
- Ruby '63 Top Boost Amplifier Factory | Artist
- Starlight Echo Station Factory | Artist
- Woodrow '55 Instrument Amplifier Factory | Artist
ANTI '92 High Gain Amp Factory Presets
|
Preset |
Description |
|---|---|
|
Kikis Groove |
Punch channel with Bright on and White 75s |
|
Shiny New Arp |
Punch channel with Bright on and CA V30s |
|
Illegal Toad Racer |
Punch channel with Bright on and UK V30s |
|
Odd Duck |
Punch channel with Bright on and split cab JB|GB |
|
Riverdove |
Punch+ channel with UK V30s |
|
Germ Ghosts |
Punch channel with Bright on and UK V30s |
|
Britrock |
Punch+ channel with Bright on and split cab JB|GB - TS on |
|
Liquid Lead |
Crunch channel with Bright on and UK V30s - TS on |
|
Carcrash |
Lead channel with Bright on and UK V30s - TS on |
|
Brutal |
Crunch channel with Bright on and UK V30s - TS on |
|
Just Djent! |
Lead channel with Bright on and White 75s - TS on |
|
Metal Lead |
Lead channel with Bright on and UK V30s - TS on |
|
Modern Death |
Lead channel with Bright off and UK V30s - TS on |
|
Kcuf |
Crunch channel with Bright on and CA V30s |
|
Clean Single Coils |
Clean channel with split cab JB|GB for low output single-coil cleans |
|
Midrange Punch Plus |
Punch+ channel with D65s for '70s midrange rock |
|
Pretty Clean |
Clean channel with D65s, cool bias and room |
|
Smooth Willy |
Clean channel with D65s, high input, warm bias and room |
ANTI '92 High Gain Amp Artist Presets
| Diamond Rowe | Josh Chunky | Lead channel with Bright off and CA V30s - TS on |
| Dime LO-FI | Crunch channel with Bright on and White 75s - TS on | |
| Dime Heavy Rhythm | Lead channel with Bright off and CA V30s - TS on | |
| Dime Heavy Rhythm 2 | Lead channel with Bright off and CA V30s - TS on | |
| Jeff Loomis | Loomis Lead | Lead channel with CA V30s - TS on |
| Loomis Rhythm | Lead channel with CA V30s - TS on | |
| Ryan Knight | Crispy Rhythm | Lead channel with Bright on and UK V30s - TS on |
| Lord of Rock Rhythm Crunch | Lead channel with Bright on and UK V30s - TS on | |
| R Knight Metal Lead | Crunch channel with Bright on and CA V30s - TS on | |
| Tight Metal Rhythm | Punch channel with Bright on and White 75s - TS on |
Astra Modulation Machine Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| Factory Default: CHORUS BRIGADE | Classic medium speed and depth analog chorus in dual stereo mode. | |
| Factory Default: FLANGER DBLR | Smooth flanging with invert and slow speed. | |
| Factory Default: TREM 65 | Slow speed, high depth tube trem. | |
| Factory Default: PHASER X90 | Medium speed script style phasing. | |
| Factory Default: DHARMA TREM 61 | Classic harmonic tremolo with vibe like swing. | |
| BlockPhaser 180 Degree Stereo | Block phaser with the 180 degree stereo offset setting. | |
| BlockPhaser 90 Degree Stereo | Block phaser with a custom 90 degree stereo offset. | ✓ |
| Classic 80s Chorus | Dual stereo mode for wide 80s chorus sound. | |
| Diamond Like Doubling | Subtle doubling setting for tight and "Broken" era sounds. | |
| Disco Block Phase | Late 70s block mode with chewy medium speed. | |
| Double Chorus into Flanger | The main sound is a chorus setting using the doubler mode, which then feeds a 2nd unit with slow flanging for extra depth. | ✓ |
| Double Flangers 180 | Connects a 2nd blue flanger with slow, deep settings. Both units go thru each other for extra deep flanging, and both use 180 invert for extra hollow sounds. | ✓ |
| Double Flangers | Connects a 2nd blue flanger with slow and deep settings. Both units go through each other for extra deep flanging. | ✓ |
| Doubler Dual Chorus Imaging | Uses the doubler as a slow and deep moving stereo chorus unit. | |
| Doubler Fast Chorus | Uses the doubler as a fast speed with shallow depth stereo chorus unit. | |
| Dripping Flanger | Stereo fast speed with high regeneration and invert. | |
| Dyn Depth Trem 1 | Custom setting with a dynamic depth effect that trails into tremolo. Shade controls depth swing sensitivity, and Shape adds speed swing on top of depth swing. | ✓ |
| Dyn Depth Trem 2 | Custom setting with a dynamic depth effect that reduces tremolo depth on trails. Shade controls depth swing sensitivity, and Shape adds speed swing on top of depth swing. | ✓ |
| Dyn Light Random | Custom LFO shape and tilt with just a bit of randomness. Also dynamic depth so chords trail with more chop. | ✓ |
| Dyn Random Chopper | Custom LFO shape and tilt adds LFO randomness with harmonic tremolo. | ✓ |
| Dyn Speed Chopper | Custom LFO shape and tilt is tweaked for extreme tremolo sounds. | ✓ |
| Fast Tube Trem | Fast tremolo with deep setting enabled for a more pronounced chop. | |
| Fast Vibrato Spinner | Fast speed with depth tuned similar to the pitch swing of a rotating speaker. | |
| Flanger Jets | High regeneration and slow speed for chewy 70s style flange. | |
| Gentle Vibrato | Classic mode with gentle vibrato on only one side of the stereo field. | |
| Hard Hitting Chop DHarma | Custom dynamic LFO type and speed ramp decays into a slow speed, for a mixture of classic chop and harmonic tremolo. | ✓ |
| Hidden Vibes Reverse | Custom dynamic depth and speed that starts at maximum, then trails off into dry guitar. | ✓ |
| Hidden Vibes | Custom dynamic depth and speed that decays into slow and deep modulation. Your instrument remains dry and punchy for chord strumming, but trails into mod as notes decay. | ✓ |
| Mellow Trem 90 | Soft sine wave setting with a custom 90 degree stereo spread. | ✓ |
| Mono Square Chop Trem | Deep and fast with a square wave for maximum tube tremolo chop. | |
| Pulsing Dual Chorus | Medium fast speed with chorus on left and right outputs. | |
| Script Edruption Phase | Same era and setting as used on Eruption. | |
| ScriptPhaser 180 Degree Stereo | Script phaser with the 180 degree stereo offset. | |
| ScriptPhaser 90 Degree Stereo | Script phaser with a custom 90 degree stereo offset setting. | ✓ |
| Slow Flange Growl | Slow speed and medium regeneration. | |
| Soft Ballad Trem | Slow with medium intensity, great for big chords. | |
| Square Deep Trem | Square tremolo setting with a custom 90 degree stereo spread. | ✓ |
| Vibey DHarma | A similar type of modulation used by classic "vibe" pedals from the late 60s. | |
| Wobble Vibrato | Slightly detuned depth for a more sinister sound. | |
| Wobbly Doubler Chorus | Doubler mode with high regeneration, maximum delay time, and medium speed. |
Astra Modulation Machine Artist Presets
| Jonathan Wilson (Father John Misty) |
Aviles Trem | Square mode stereo tremolo with extra depth. |
| Frenched Doors | Classic mode chorus with extra volume. | |
| Jazz From Hell | Heavy and deep flanged wobble. | |
| Tim Pierce (Studio Ace) |
Roads Piano Vibe | Stereo harmonic tremolo for faux electric piano spread. |
| Tyler Bryant (Tyler Bryant & The Shakedown) |
Double That Like With This | Big and wide analog chorus for layering. |
| Friend Of The Verb Stab | Stereo fast tube tremolo. | |
| Phasey Goodness | Script phase circuit with extra grit. | |
| Tasty Trem | Delicious mellow tremolo setting. | |
| What's In This Pipe | Deep vowel-like flanging 180º phase inverted. |
Del-Verb Ambience Companion Voicings
| Effect | Voicing | Description |
|---|---|---|
| Tape EP-III | Bright Spank | Brighter era preamp on tape head. |
| Broken Bottom | No bass response in circuit. | |
| Dark Tape n Preamp | Dirty heads and adjusted azimuth for extremely dark tape sound. | |
| Default Tape EP-III | Used/warm tape and machine at 500 ms with around five repeats. | |
| Dirty Heads | Treble and bass cut in head circuit path. | |
| EP with 5th Pitched Buckets | EP-III routed into DMM with a pitched 5th delay swing. The DMM sound is hardwired, but the EP-III sound is adjusted with the pedal controls. | |
| EP with Chorus Buckets | EP-III routed into DMM with a classic chorus echo. The DMM sound is hardwired, but the EP-III sound is adjusted with the pedal controls. | |
| EP with Octave Pitched Buckets | EP-III routed into DMM with a pitched octave delay swing. The DMM sound is hardwired, but the EP-III sound is adjusted with the pedal controls. | |
| EP with Vibey Buckets | EP-III routed into DMM with a classic vibrato echo. The DMM sound is hardwired, but the EP-III sound is adjusted with the pedal controls. | |
| Used Heads | Treble cut in tape head circuit path. | |
| Warm Azimuth | Tape path adjusted for softer treble and less bass. | |
| Analog DMM | AM Radio | No bottom end preamp tweak. |
| Dark Swelling Sine | Extra dark with out of spec bucket for a swell sound and sine LFO w/180º stereo phase. | |
| Dark Swelling Square | Extra dark with out of spec bucket for a swell sound and square LFO w/180º stereo phase. | |
| Default Analog DMM | Classic analog bucket delay with vibrato modulation. | |
| Dirty Double Octaves | Octave swing pattern 4 with slow modulation and warm high end. | |
| Extra Bright Attack | Extra bright analog bucket delay setting. | |
| Furry Bear | Extra bass with softer treble. | |
| Sizzle Crunch | Out of spec compander/expander circuit. | |
| Slow Square Mod | Slower than stock speed with custom square wave modulation. | |
| Smooth Dark Repeats | Custom smooth transients with dark overall repeats. Trails off into a reverb-like decay. | |
| Square Mod Octave | Octave pitch swing with custom square LFO for 80s video game sounds. | |
| Sync Oct X Dirty Tri | Octave swing pattern 3 with extra and gritty calibration setting. | |
| Sync Octaves | Octave pitch swing pattern 2 with reduced treble frequencies. | |
| Sync Up4 Down | Swing pitch in 4ths using sync pattern 4. | |
| Sync Up5 Dirty Tri | Swing pitch in 5ths using pattern 3 and a fast triangle wave modulation. | |
| Sync Up5 Down | Swing pitch in 5ths using pattern 1 with extra slow modulation. | |
| Warm Ambi Whole Steps | Whole note pitch swing pattern 1 with extra gritty repeats and slow modulation. | |
| Warm Ambient Repeats | Extra soft transients and warm high end for great ambient volume swells. | |
| Warm Slower Mod Speed | Warm analog bucket setting with slower than stock modulation speed. | |
| Precision | Default Precision | Studio standard long delay with no coloration on repeats. |
| Delay Tempo Crossfade | Smooth transition between delay times. | |
| Delay Tempo Glide | Drags pitch when moving to new delay time. | |
| Hi and Lo Pass Feedback | Hi Pass at 500 Hz and Lo Pass at 6 kHz in feedback circuit. | |
| Hi-Cut Feedback | Lo Pass filter at 5 kHz in feedback path with no LFO vibrato. | |
| LFO Vibrato Hi-Cut Feedback | Adds 5 kHz Lo Pass filter in feedback path. | |
| LFO Vibrato Sine 180 | Delay LFO used for vibrato. Post mod unit still works to add flange and chorus. | |
| Stereo Ping Pong Hi-Cut | 3.5 kHz Lo Pass and 130 Hz Hi Pass in feedback circuit with left to right ping pong. | |
| Stereo Ping Pong Vibrato | 3.5 kHz Lo Pass and 130 Hz Hi Pass in feedback circuit with left to right ping pong and LFO vibrato. | |
| Stereo Ping Pong | Delays bounce left to right in stereo. | |
| Tiny Cross | 600 Hz Hi Pass with crossfade tempo change. | |
| Tiny Glides | 600 Hz Hi Pass with glide tempo change. | |
| Spring 65 | Default Spring 65 | Stock Tank A for classic combo amp spring reverb. |
| Long and Luscious | Spring tank C with stock decay and a bit of modulation. | |
| Princeton NJ | Spring tank A with stock decay. | |
| Space Juice | Spring tank A with long decay and tons of tape modulation. | |
| Spring A Long Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring A Long | Long decay Bright Dlx tank. | |
| Spring A Predelay Slap | Stock decay setting with 115 ms predelay and softer treble response. | |
| Spring A Rotato | Post spring modulation with added treble and bass for rotating speaker vibes. | |
| Spring A Short Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring A Short | Short decay Bright Dlx tank. | |
| Spring A Space Xeross | Custom offset delays post spring with triangle wave LFO modulation. | |
| Spring A Stock Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring B Long Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring B Long | Long decay Smooth Show tank. | |
| Spring B Predelay Slap | Stock decay setting with 115 ms predelay and softer treble response. | |
| Spring B Rotato | Post spring modulation with added treble and bass for rotating speaker vibes. | |
| Spring B Short Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring B Short | Short decay Smooth Show tank. | |
| Spring B Space Xeross | Custom offset delays post spring with triangle wave LFO modulation. | |
| Spring B Stock Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring B Stock | Stock decay Smooth Show tank. | |
| Spring C Long Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring C Long | Long decay Ambient Dlx tank. | |
| Spring C Predelay Slap | Stock decay setting with 115 ms predelay and softer treble response. | |
| Spring C Rotato | Post spring modulation with added treble and bass for rotating speaker vibes. | |
| Spring C Short Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring C Short | Short decay Ambient Dlx tank. | |
| Spring C Space Xeross | Custom offset delays post spring with triangle wave LFO modulation. | |
| Spring C Stock Dark | Reduced highs with added bass in reverb return EQ circuit. | |
| Spring C Stock | Stock decay Ambient Dlx tank. | |
| Spring Ghostly C Vibrato | Ambient Tank C with custom vibrato after the reverb. | |
| Spring Memory | Spring tank C ambience with long decay and no predelay. | |
| Spring Slap Show B | Spring Tank B with 100 ms of slapback style predelay. | |
| Spring Stock Classic A | The classic 65 spring reverb setting. | |
| Spring Tube Drive A | Custom tube drive into the tank for more sizzle and compression on Tank A. | |
| Spring Tube Drive B | Custom tube drive into the tank for more sizzle and compression on Tank B. | |
| Subtle Until Slapped String | Spring tank B with long decay and extra treble. | |
| Symphonic Reverb | Spring tank B with stock decay, long predelay, and lots of tape modulation. | |
| Plate 140 | Cold War Verb Kids | 140 plate C with short decay and the bass control pulled back. |
| Default Plate 140 | Studio standard Plate A with 3.0 ms of decay. | |
| Fast and Fat Plate | 140 Plate A with a bit of pre-delay and pulled back bass and treble. | |
| Lush Recall | 140 plate A with short decay and 250 ms predelay. | |
| Plate A Long | 5.5s of decay time. | |
| Plate A Medium | 3.5s of decay time. | |
| Plate A Mod Slap | 150ms Predelay with 4.0s of decay, added highs and stereo modulation. | |
| Plate A Short | 2.0s of decay time. | |
| Plate A Stereo Images | 150ms Predelay with 4.0s of decay, added highs and stereo modulation. | |
| Plate A Studio Predelay | 125ms Predelay with 3.0s of decay with added highs. | |
| Plate A Studio Standard | Studio standard 3.0 seconds decay time with detailed high end. | |
| Plate B Long | 5.5s of decay time. | |
| Plate B Medium | 3.5s of decay time. | |
| Plate B Mod Slap | 150ms Predelay with 4.0s of decay, added highs and stereo modulation. | |
| Plate B Short | 2.0s of decay time. | |
| Plate B Stereo Images | 2.5s of decay with stereo modulation and no predelay. | |
| Plate B Studio Predelay | 125ms Predelay with 3.0s of decay with added highs. | |
| Plate B Thick Predelay | Plate B with 3.3 seconds decay, 180 Hz input filter, and added treble. | |
| Plate C Ambient Mod | Modulated large Plate C with 5.0 seconds decay time, added high end, and a 90 Hz input filter. | |
| Plate C Long | 5.5s of decay time. | |
| Plate C Medium | 3.5s of decay time. | |
| Plate C Mod Slap | 150ms Predelay with 4.0s of decay, added highs and stereo modulation. | |
| Plate C Short | 2.0s of decay time. | |
| Plate C Stereo Images | 2.5s of decay with stereo modulation and no predelay. | |
| Plate C Studio Predelay | 125ms Predelay with 3.0s of decay with added highs. | |
| Present Plate | 140 plate A with almost six second decay and no pre-delay. | |
| Hall 224 | 8 Voice Chorus Mode | Custom 224 8-voice chorus! |
| Ambient Space 8 Voice | Large ambient Room A with 8-voice chorus after the reverb. | |
| Big Log | Small Hall with slight analog chorus from 2nd 224. Based on 80s classic song. | |
| Bottom Heavy Hall | High Bass decay time with lots of diffusion. | |
| Bouncy Hall | Pingy sounding diffusion and depth setting. | |
| Cascade 224 | 224 LgHall B with lots of mid and treble decays. | |
| Dark N Dusty Trail | 224 LgHall B and lots of predelay. | |
| Default 224 Hall | Room A set for long ambient reverb tails. | |
| Fractal Forest | 224 SmHall A with maximum mid decay and 150 ms predelay. | |
| Hallelujah Stack Verbs | Based on the Buckley cover, Small Room 224 plus Large Hall 224 for complex decays. Best with clean sounds and finger picking. | |
| Lg Hall B Spacious | Large Hall B with extra depth for complex decay sounds. | |
| LgHall B Default | Default setting from the original hardware. | |
| Orbiting Light | 70 seconds of high midrange focused ambience. | |
| Pingy Mid Predelay | Mid heavy verb with 152ms of predelay an no diffusion. | |
| Room A Default | Default setting from the original hardware. | |
| Room A Open Sky | No bass with lots of Treble Decay | |
| Room A Tight Depth | Custom setting that adds room depth and diffusion. | |
| Running Blades | Classic Sci-Fi movie score sound. | |
| Sensitive Room | Touch sensitive decay for long chords. | |
| Slap Treble Decay | No Bass or Mid decay. All Treble decay with heavy depth. | |
| Sm Hall A Diffused | Small Hall A with custom diffusion setting for smooth decay. | |
| SmHall A Default | Default setting from the original hardware. | |
| Soft Room | Warm sounding room reverb. | |
| Sparkle Room | High Treble decay Room A. | |
| Swimmy and Shakey | 224 SmHall A with lots of mid reverb decay and 150 ms pre-delay. | |
| Warm 8 Voice | Uses 2nd 224 as warm chorus |
Dream '65 Reverb Amp Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| Factory Default | Overdriven black panel with EV12 and Con 414 mic punch. | |
| 1x12 with 4x10 Stack | Custom setup combines a 1x12 EV12 with Con 414 and 4x10 SVerb with Dyn 57 hard-panned. This wide and thick tone is great for fuzz and overdrive pedals in front. | ✓ |
| Boutique D Blues | D-Tex boost with extra tube gain and custom Con 67 and Rib 121 setup for huge modern blues tones. | ✓ |
| Bright Switch Off JBF120 | Uses the Lead mod to remove the bright cap from the Volume control (some amps have it on a switch, Dream 65 is hard-wired like the original). Has a warmer clean sound at low Volume knob settings. Great for humbuckers that need more headroom for clean jazz sounds. Has 2x12 JBF120 cab with custom Dyn 421 mics to add back sparkle and depth. | ✓ |
| Bright Switch Off SVerb | Uses the Lead mod to remove the bright cap from the Volume control (some amps have it on a switch, Dream 65 is hard-wired like the original). Has a warmer clean sound at low Volume knob settings. Great for humbuckers that need more headroom for clean jazz sounds. Has SVerb cab with custom Con 67 mics for vintage tube mic warmth. | ✓ |
| Chaos Helicopter | GB25 and custom Rib 121 mics with maximum tremolo intensity and reverb. | ✓ |
| Con 1x12 and 4x10 Combos | Custom setup with Con 67s and 1x12 Oxford panned left, and SVerb 4x10 panned right. Adds depth of field without being too spread out. | ✓ |
| D65 Break Up Ribbons | Edge of breakup amp setting with custom Rib 160 on-axis mics. Great with overdrive and fuzz pedals in front. | ✓ |
| Dyn 1x12 and 4x10 Combos | Custom setup with Dyn 57s and 1x12 Oxford panned left, and SVerb 4x10 panned right. Adds depth of field without being too spread out. | ✓ |
| EV12 Break Up Dynamics | Edge of breakup amp setting with a bit of D-Tex mod and custom Dyn 421 on-axis. Also great with overdrive and fuzz pedals in front. | ✓ |
| Hard Fast Trem | Custom on axis Rib 160 mics with tons of spring reverb, maximum tremolo depth, and fast speed. Punchy GB25 speaker delivers an extra aggressive grind. | ✓ |
| Jerrys Twins | Hi-Fi clean and snap with vintage JBF120 twin cabinet for classic jam band tones. | |
| Lead Greenback Mix | Lead mode with treble maxed and amp on 10 to create an edgy overdrive lead tone. Uses a custom blend of Dyn 57 and Rib 160 mics summed together. | ✓ |
| Rib 1x12 and 4x10 Combos | Custom setup with Rib 160s and 1x12 Oxford panned left, and SVerb 4x10 panned right. Adds depth of field without being too spread out. | ✓ |
| Smooth Ribbon Drive | D-Tex boost and amp-on-10 tone with a custom off axis Rib 160 mic and a small amount of Dyn 57 for added attack. | ✓ |
| Split Cab GB n JBF Sizzle | D-Tex boost with amp-on-10 sizzle. This custom split cab has the GB25 with Con 414 left, and the JBF120 with Con 67 right. | ✓ |
| Studio Rhythm Chunk | Chunky bridge pickup modded amp tone with midrange bump, preamp boost, EV12 with Con 414 punch, and a tight power amp tweak. | |
| Super Neck Split Cab | Blues-approved 4x10 super-style overdrive with midrange tone stack tweak, and custom Con 414 and Dyn 57 mics hard-panned. | ✓ |
| The Everything Works Tone | Completely stock vintage 65 black panel tone! This setting of Volume 3, Bass 7, and Treble 6 works for all single coil and humbucker cleanish tones. | |
| Vintage Trem n Verb | Based on the Everything Works setting, adds a little more volume and a slow medium depth tremolo. | |
| Warm JBF120s | Custom setup using Rib 121 mics to soften the bright aluminum dust cap on the JBF120s. | ✓ |
Dream '65 Reverb Amp Artist Presets
| Artist | Preset | Description |
|---|---|---|
| Oz Noy | Oz Amp Drive | Sverb 4x10 cab with custom 414 and 57 mic blend and reverb. Custom D-Tex mod for added punch and overdrive. |
| Oz Super Trem n Verb | Sverb 4x10 cab with custom 414 and 57 mic blend, plus amp reverb and tremolo. | |
| Oz Super Verb | Sverb 4x10 cab with custom 414 and 57 mic blend and amp reverb. | |
| Jessica Dobson (Deep Sea Diver) |
Chimey Grit | Sverb 4x10 cab with amp overdrive. |
| Fuzzy Friend | D-Tex mod added for open midrange, and GB25 speaker for clear sizzling highs. | |
| Sparkle Fest | Edgy overdrive with GB25 speaker for punchy highs. | |
| Trem Heaven | Deep depth tremolo and spring reverb for big sustained chord ambience. | |
| Cory Wong (Vulfpeck) |
Cory Bright | Super clean GB25 tone for spanky rhythms with single coil guitars. |
| Cory Clean | Clean and warm tone with GB25 for spanky rhythms with single coil guitars. Uses Lead mod to turn off the amp's bright switch. | |
| Derek Wells (Carrie Underwood) |
Empty Venue Soundcheck | Big spring reverb space and overdriven amp that goes great with any guitar. |
| Hum On Loosely | Classic 70s rock rhythm guitar sounds. Goes great with humbuckers. | |
| Strattlin' Bones | Big tremolo and spring reverb tones with EV12 cab. | |
| Take The Solo | Sverb 4x10 cab with open midrange for cutting lead guitar tones. | |
| Tim Pierce (Studio Ace) |
Single Coil Neck Grit Sweet Spot | Thick neck single coil tones using the EV12 cab. |
| Tell E So Real It's Scary | Lead mod added for a punchy and smooth distorted sound. | |
| Ultimate Gib Meets Fen Tone | Warm clean sound with a little breakup for any humbucker or single coil guitar. | |
| David Ryan Harris (John Mayer) |
Birmingham Tell E | Punchy EV12 cab dialed in for single coils. |
| Eviction | GB25 with cranked up amp tones using D-Tex mod for that classic on 10 sound. | |
| Shag Carpet | Big and smooth clean amp tone with EV12 cab. | |
| Williamsburg's Finest | Lead mod with EV12 cab for aggressive rock guitar rhythm tones. | |
| Jim James (My Morning Jacket) |
JJs Clean Dream Three | Clean GB25 tone with high headroom for humbucker guitars. |
| JJs Clean Dream Two | Clean Boutique D65 cab with high headroom for humbucker guitars. | |
| JJs Clean Dream | Clean Sverb 4x10 cab with high headroom for humbucker guitars. | |
| Peter "Danish Pete" Honoré | Clean Trem Verb | 4x10 Sverb cab with a bit of Lead mod added. |
| Clean Verb | 4x10 Sverb cab with an extra helping of spring reverb. | |
| Crunch Noodles | D65 2x12 cab with just a bit of Lead mod added for drive. | |
| Crunchy Funk | D65 2x12 cab with just a bit of amp overdrive and extra treble for cut. | |
| Tell E Bridge Rockin' | EV12 cab with some D-Tex mod for added overdrive. | |
| Nels Cline (Wilco) |
Clean n Warm | Use with single coils for a clean and warm tone. |
| Justus West (John Legend) |
Dreamy Chord Tones | GB25 cab with a little clean boost added. |
| Rolled Back Volume | Oxford cab with D-Tex mod enabled for extra midrange. | |
| Lincoln Brewster | Clean Your Room | D65 cab with spring reverb and no boost. |
| Don't Blow It | 4x10 cab with D-Tex boost and volume maxed on 10. | |
| Swamp Thing | D65 cab with D-Tex boost and spring reverb. | |
| We're Breakin' Up | D65 cab with lead boost and a touch of spring reverb. |
Enigmatic '82 Overdrive Special Amp Factory Presets
| Preset | Description |
|---|---|
| Big HRM Brute OD | 100W low plate amp in Rock/Skyline with HRM mid boost |
| Super Clean FET JBF | 100W low plate amp in Jazz/Skyline with 2x12 JBL cab |
| Jazz Clean Combo | 1x12 Jazz/Skyline clean combo |
| EV FET Slam | FET input slammed into Rock/Skyline with squishy 100W amp and EV cab |
| JBG 50W Clean | Small 50W amp in Rock/Skyline mode with 1x12 JBL cab |
| Mid Boost OD | 100W cranked power amp in Rock/Skyline with mid boost |
| Woody Single Coil | 100W cranked power amp in Rock/Skyline with non-HRM overdrive |
| Big Dirty Strat | 4x12 V30s with Rock/Skyline with 100W stiff amp |
| Big Crispy Clean | Cranked squishy 100W amp in Rock/Classic with 1x12 JBL cab |
| JBL Single Coil Clean | FET input in Rock/Classic with 2x12 JBL cab |
| Low Plate FET HRM Lead | 100W low plate squishy amp with FET and HRM mid boost tuned for leads |
| Low Plate FET Cranked | 100W low plate squishy amp with FET and HRM mid boost |
| JW Rock Strat | 100W low plate squishy amp with cranked master volume and FET |
| 90s Skyline HRM Brute | 100W very stiff amp wth soft treble HRM in Rock/Skyline |
| 1980 Suede HRM Lead | 100W low plate squishy amp in Rock/Classic with HRM and 1x12 GB25 cab |
| 1980 Suede Combo Lead | 100W low plate squishy amp in Rock/Classic with 1x12 GB25 cab |
| Clean FET Classic TS | Cranked FET input with Rock/Classic and 1x12 GB25 cab |
| Big Clean NoB Cap | 100W high plate amp in Rock/Skyline with no bright switch |
| 1980 Thick Strat HRM | 100W low plate squishy amp in Rock/Classic with mid forward HRM EQ and 1x12 GB25 cab |
| Big Clean B Cap | 100W high plate amp with Bright switch in Rock/Skyline |
| Combo Crunch | 100W amp dimed with FET in Rock/Classic and HRM |
| Enigmatic Preset Default | 100W high plate amp in Rock.Skyline in 1x12 GB25 combo |
| Jangle Clean | 50W high plate amp in Jazz/Classic with 1x12 JBL cab |
| PAB w HRM 4x12 | 100W low plate squishy amp with preamp boost and HRM |
| Humbucker 90s Blues Lead | 100W high plate amp in Rock/Skyline with tweaked OD trim and HRM |
| Dead Clean FET JBL | High headroom clean with FET and JBL cab for snap |
Enigmatic '82 Overdrive Special Amp Artist Presets
| Artist | Preset | Description |
|---|---|---|
| Daniel Donato | Humble | 100W high plate amp in Rock/Skyline |
| Cosmic Clear | 100W low plate amp in Jazz/Skyline with HRM | |
| Double D Drive | Cranked FET and overdrive in Rock/Skyline | |
| Joey Landreth | Edge of Breakup | 100W high plate amp wtih FET in Rock/Skyline |
| Squeaky Clean | 50W high plate amp in Rock/Classic | |
| Outta Gas | 100W low plate amp with FET in Rock/Classic | |
| Artur | Dirty - HBs | 100W low plate amp in Jazz/Skyline with V30 4x12 cab |
| Edge of Breakup HB | 100W low plate amp in Jazz/Skyline with master volume cranked | |
| Dirty - SCs | 100W low plate squishy amp with tweaked HRM | |
| Edge of Breakup SC | 100W high plate amp with cranked master volume in Rock/Skyline | |
| Megan Lovell | Full Tank | 50W high plate amp with FET and HRM in Rock/Skyline |
Golden Reverberator Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| Factory Default: SPRING 65 | Stock Tank A for classic combo amp spring reverb. | |
| Factory Default: PLATE 140 | Studio standard Plate A with 3.0 ms of decay. | |
| Factory Default: HALL 224 | Room A set for long ambient reverb tails. | |
| Factory Default: CHAMBER & PLATE 224 | Const Plate with long and warm decay. | |
| 224 8 Voice Chorus Mode | Custom 224 8-voice chorus! The Bass, Treble, and Decay knobs each mix in 2 additional voices, for up to 8 total. Decreasing those controls fully counterclockwise leaves only the stock 2 voices. Mod knob controls both depth and speed, and predelay can add up to 250 ms of slapback. | ✓ |
| 224 Ambient Space 8 Voice | Large ambient Room A with 8-voice chorus after the reverb. | ✓ |
| 224 Chamber Clouds | Custom decay setting with high midrange bloom. | ✓ |
| 224 Chamber Smooth | Smooth decay and diffused chamber reverb. | ✓ |
| 224 ConstPlate Tight | Tight plate sounds great for adding air to rock rhythm sounds. | ✓ |
| 224 Hallelujah Stack Verbs | Based on the Buckley cover, Small Room 224 plus Large Hall 224 for complex decays. Best with clean sounds and finger picking. | ✓ |
| 224 Lg Hall B Spacious | Large Hall B with extra depth for complex decay sounds. | ✓ |
| 224 PercPlate Bright | PercPlate with treble decay added. | ✓ |
| 224 Room A Tight Depth | Custom setting that adds room depth and diffusion. | ✓ |
| 224 Running Blades | Classic Sci-Fi movie score sound. | |
| 224 Sm Hall A Diffused | Small Hall A with custom diffusion setting for smooth decay. | ✓ |
| Plate A Studio Standard | Studio standard 3.0 seconds decay time with detailed high end. | |
| Plate B Thick Predelay | Plate B with 3.3 seconds decay, 180 Hz input filter, and added treble. | |
| Plate C Ambient Mod | Modulated large Plate C with 5.0 seconds decay time, added high end, and a 90 Hz input filter. | ✓ |
| Spring Ghostly C Vibrato | Ambient Tank C with custom vibrato after the reverb. | ✓ |
| Spring Slap Show B | Spring Tank B with 100 ms of slapback style predelay. | |
| Spring Stock Classic A | The classic 65 spring reverb setting. | |
| Spring Tube Drive A | Custom tube drive into the tank for more sizzle and compression on Tank A. | ✓ |
| Spring Tube Drive B | Custom tube drive into the tank for more sizzle and compression on Tank B. | ✓ |
Golden Reverberator Artist Presets
| Artist | Preset | Description |
|---|---|---|
| Jonathan Wilson (Father John Misty) |
Dark N Dusty Trail | 224 LgHall B and lots of predelay. |
| Princeton NJ | Spring tank A with stock decay. | |
| Nathan Willett (Cold War Kids) |
Cold War Verb Kids | 140 plate C with short decay and the bass control pulled back. |
| Tycho | Cascade 224 | 224 LgHall B with lots of mid and treble decays. |
| Fractal Forest | 224 SmHall A with maximum mid decay and 150 ms predelay. | |
| Lush Recall | 140 plate A with short decay and 250 ms predelay. | |
| Present Plate | 140 plate A with almost six second decay and no pre-delay. | |
| Shimmeron | 224 Chamber with maximum mid decay. | |
| Spring Memory | Spring tank C ambience with long decay and no predelay. | |
| Tim Pierce (Studio Ace) |
Symphonic Reverb | Spring tank B with stock decay, long predelay, and lots of tape modulation. |
| Tyler Bryant (Tyler Bryant & The Shakedown) |
Fast and Fat Plate | 140 Plate A with a bit of pre-delay and pulled back bass and treble. |
| Groovy Room | 224 Chamber with shorter bass and treble decay times. | |
| Long and Luscious | Spring tank C with stock decay and a bit of modulation. | |
| Space Juice | Spring tank A with long decay and tons of tape modulation. | |
| Subtle Until Slapped | Spring tank B with long decay and extra treble. | |
| Swimmy and Shakey | 224 SmHall A with lots of mid reverb decay and 150 ms pre-delay. |
Knuckles '92 Rev F Dual Rec Amplifier factory presets
| Preset | Description |
|---|---|
| Scooped Humbuckers | Orange channel with UK Vee30 speakers for classic dirty overdrive |
| Punchy Overdrive | Orange channel with light overdrive and EV12 great for single coils |
| Dirty Drive Strat | Green clean channel pushed for gritty single coil rhythm |
| Big Clean Single Coil | Clean headroom with EV12 for full-sounding single coil sound |
| Clean Humbuckers | Green channel with lots of presence for clear-sounding humbucker cleans |
| 808 Crunch | Orange channel with TS overdrive for midrange punch |
| Red LP Palm Mute | Red channel with lots of tight distortion for classic style palm muting |
| Spongy Jangle | Green channel with tube rectifier and spongy power mode |
| Orange EL34 | Orange channel with EL34s and tube rectifier |
| Chimey Brit | Green channel with EL34s, tube rectifier and spongy power mode |
| 90s Trash | Un-boosted recto for big, bold Bay Area thrash tones. Use with passive pickups |
| Chashuggah | The OG djent sound straight from 1998! |
| Disintegrate | Bring your 7-string for massive full-bodied metal tones |
| Growhl | Perfect for big power chords and arena rock anthems |
| Legato Lead | Smooth and singing lead tone for fusion-y leads |
Knuckles '92 Rev F Dual Rec Amplifier artist presets
| Artist | Preset | Description |
|---|---|---|
| Chris Dugan | Rectifried | Red channel with massive low end and UK Vee30 cab |
| Rectiplex | Orange channel tight crunch with UK Vee30 cab | |
| Knuckle Sandwich | Orange channel with lots of low end chunk | |
| Rock n Roll Lead | Orange channel with punchy midrange | |
| ACDualC | Orange channel with Brown JB 4x12 | |
| Clean-ish 1 | Green channel with EV12 and lots of room | |
| Clean-ish 2 | Green channel with EV12 and thicker tone | |
| Brass Knuckles | Orange channel with White 75 4x12 | |
| Knuckle Head | Red channel with Brown JB 4x12 | |
| Paul Waggoner | Clean Rhythm | High headroom green clean with 4x12 CA Vee30 |
| Mid Gain Lead | Orange channel with medium gain and punchy midrange | |
| High Gain Rhythm EL34 SS R | Red channel with solid state rectifier and 4x12 CA Vee30 | |
| High Gain Rhythm EL34 Tube | Red channel with tube rectifier | |
| High Gain Rhythm Bold | Red channel with lots of low end grind and 4x12 CA Vee30 | |
| High Gain Rhythm Spongy | Red channel with lots of midrange grind | |
| Ryan Knight | Heavy Defined | Orange channel with lots of mids and 4x12 CA Vee30 |
| Scooped Corpse | Red channel with EV12 cab | |
| Sharp Lead | Orange channel with lots of aggressive highs | |
| Romesh Dodangoda | Modern Cali Rhythm | Red channel with UK Vee 30 cab |
| Big Rock Rhythm | Red channel with aggressive mids | |
| Midrange Rhythm | Red channel with White 75 4x12 | |
| Warm Cleans | Green channel clean with 4x12 CA Vee30 cab | |
| Crunchy Telecaster | Green channel overdriven for single coils | |
| Midrange Crunch | Green channel clean pushed into crunch | |
| Classic Rhythm Drive | Orange channel with 4x12 CA Vee30 cab | |
| Amp In The Room! | Orange channel grind with lots of room mic | |
| Roomy Vibes | Orange channel with lots of room mic |
Lion '68 Super Lead Amplifier Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| All Along The Watchtower Solo | 68 GB25 cab, custom on axis Rib 160, re-tuned room, and Super Bass amp lead tone for warmth in neck position. | ✓ |
| All Right Koss | 68 GB25 cab with a mix of Rib 160 and Con 67 mics. Best with a humbucker 'burst'. | ✓ |
| Axis Room | 68 GB25 cab with a custom on axis Rib 160 and re-tuned room mic setup. Use single coils in neck position! | ✓ |
| Brown Devil | JB|GB split cab with variac and EP preamp. Optional gate is enabled. | ✓ |
| Brown JB Left GB Right | Brown Devil setup with JB panned hard left, GB panned hard right, allowing custom blending. | ✓ |
| Cliffs Y-Cable Violin Setup | 68 GB25 cab, custom on axis Rib 160, EP preamp with boost and Y-cable into stock amp. Add 808 or Tube Driver to taste! | ✓ |
| Fresh Spoonful Woman | 68 GB25 cab with an off axis Rib 160 mic, and EP preamp for classic woman tone. | ✓ |
| Had To Cry Blind Today | 68 GB25 cab with a custom off axis Con 67 mic setup. | ✓ |
| Highway to Oz | 68 GB25 cab with an on axis Rib 160 mic and Super Bass head setup. | ✓ |
| Jailbreaking Chunk | GB30 cab with custom Con 67 mic setup for think 70s 'lizzy' rhythm. | ✓ |
| Jessies Rhythm | EV12 cab with Con 414 for tight and focused early 80s pop/rock rhythm. | ✓ |
| Just Got Grande Mud | 68 GB25 cab with Rib 160 for thickness and a bit more Dyn 57 for cut. | ✓ |
| Let Me Love You Solo | 68 GB25 cab with a custom on axis Rib 160 mic setup for 60s era JB tone. | ✓ |
| Mean Green Street 57s | 68 GB25 cab with a custom Dyn 57s-only mic setup. Optional gate is enabled. | ✓ |
| Round 80s Around | GB30 cab with Dyn 57 and Rib 121 mics. Noise gate gently applied. | ✓ |
| Shook Me Thick Rhythm | 68 GB25 cab with an on axis Rib 160 mic. Best with an SG with humbuckers. | ✓ |
| Song Remains Moby | 68 GB25 cab with an off axis Con 67 mic. Best with a burst and dragon pants. | ✓ |
| Statesboro JB Slide | JBL D120s in a 4x12 with custom Con 67 mic setup for classic Skydog slide honk! | ✓ |
| Steppin Breakers Out | 68 GB25 cab with off axis Rib 160 and custom small reflective room. | ✓ |
| Wind Cries Mary Room | 68 GB25 cab, custom on axis Rib 160, re-tuned room setup, and clean amp setting. Use single coils for best tone. | ✓ |
Lion '68 Super Lead Artist Presets
| Artist | Preset | Description | Custom Features |
|---|---|---|---|
| James Santiago (Universal Audio) |
30s Sizzle | GB30 cab with custom off axis Rib 121 mics for extra weight. Vol I and Vol II blended with EP preamp. | ✓ |
| Angry n Stripped | Vol II dimed with stripped 68 cab and custom Dyn 421 mic setup. | ✓ | |
| Big and Buff Vee | V30 with Con 414 for extra big bottom chunk. | ✓ | |
| Blended Rocks | Split cab with custom Rib 121 on D120, and Con 414 on GB25. No bright cap or ghost notes on stock amp. | ✓ | |
| Broken Ribbons | Jumped channels with custom on axis Rib 160 mics on V30 cab setup. | ✓ | |
| Burning Tubes | V30 with custom off axis Rib 121 mics with stock mode CH1 dimed. EP Preamp added for gentle high cut. | ✓ | |
| D120 Clean Jam | D120 cab with custom Con 414 mic setup for a pristine clean, jam approved tone. Stock mode blending Vol I and Vol II together for balance. | ✓ | |
| D120 HiFi Bass | D120 cab with custom Con 414 mic setup for warm cleans, great for jazz guitar or dark rhythm tones. Super Bass amp for extra thickness. | ✓ | |
| Dimed Super Bee | 68 GB25 with EP pre and jumped channels, dimed for extra rock on Super Bass amp. | ✓ | |
| Dynamic Overdrive | V30 cab with Con 414s, and bright cap Brown amp for clean playing soft, and edge of breakup when playing harder. | ✓ | |
| Dynamic Vowel Melody | Uses Brown amp with EP preamp and midrange boost for blooming solo notes. Cleans up when you roll volume down. Custom Hall reverb. | ✓ | |
| Fuzzy Bear | EV12 cab with Brown amp Vol II dimed for extra grizzly warmth and grit. Ghost notes turned off. | ✓ | |
| Goodbye Bright Cap | Stock mode with no bright cap and Vol I and Vol II at noon. Boost with EP preamp and midrange added for punch. Custom Con 67 mics on GB30 cab. | ✓ | |
| Honkin Super Bass 65 | D65 cab with 421 and Super Bass amp with midrange cranked for extra attitude. | ✓ | |
| Jumped 65 | D65 cab with custom on axis Rib 121 mics in Brown amp and no ghost notes. | ✓ | |
| Magic Touch | V30 cab with edge of breakup amp setting that cleans up, but overdrives when you dig in. Uses Brown Mode. Made with Yvette Young. | ✓ | |
| Moonish Clean | GB30 cab in stock amp mode with bright blending Vol I and Vol II. Custom hall setting for extra ambience. Made with Angela Petrilli. | ✓ | |
| Texas Jank | GB30 cab with Brown amp for that DFW spank. Made with Angela Petrilli. | ✓ | |
| Tight Metal Gate | GB30 with Con 414 for punch, tight re-tuned room for spread, and extra tight noise gate for palm muting. Ghost notes turned off. | ✓ | |
| True Grit Lead | 68 GB25 cab with a mix of Rib 160 and Con 67 mics. Best with a humbucker for Free Kossof era tones. Made with Angela Petrilli. | ✓ |
Ruby '63 Top Boost Amplifier Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| Factory Default | Petty meets Edge clean sound. | |
| Bright Chimes | Blue Mod bright speaker with Dyn 57s and a custom EQ curve. | ✓ |
| Dirty Pulse Trem2 | Silver cab with custom Rib 121 mics and large room. Has a more classic single pulse tremolo sound. | ✓ |
| Dirty Wobble Trem1 | Silver cab with custom Rib 121 mics and large room. Has a pitched harmonic tremolo sound. | ✓ |
| Fanclub Jelly | The 90s meets 70s power pop rock grit with EP preamp and custom Con 67 mic setup. | ✓ |
| Glassy Matches | Match cabinet with Dyn 57s with top boost breakup. Use with single coils for a clean punchy tone. | |
| Long Decay Slow Vibe | Custom extra large hall with slow harmonic tremolo. | ✓ |
| Mid Scooped Gold | Gold cab with custom Con 414 mics and EP preamp engaged. | ✓ |
| Modern May | Based on a custom split cabinet with Green and Blue Mod speakers with Dyn 421 panned hard left and right. | ✓ |
| Silky Vintage Burst Tones | Custom midrange boost for pushing the normal channel into smooth and full lead tones. Uses off axis Rib 160 mics with additional EQ added for clarity, and a small warm room sound. | ✓ |
| Summer of the 80s | Based on the classic 80s hit about the 60s, uses a custom Dyn 421 mic setup and tweaked room reverb. | ✓ |
| Swirly Vibes | Thick harmonic tremolo with custom Con 414 mic setup and large room. | ✓ |
| Tie Your Booster Down | Rangemaster boost with custom hard-panned off-axis left, on-axis right Con 67 mics. Custom tweaked room and EQ for live and deep tracking room sound. | ✓ |
| Unforgettable Air | Custom "air" EQ mode with extended high frequencies for clean single coil guitar chords. | ✓ |
| Warm Gold | Gold 1x12 cab with custom Dyn 421 off-axis setting. | ✓ |
| Writing Paperbacks | Top boost on 10 with custom Con 67 on- and off-axis panned mics, and bright and tight room sound. Based on the fab 4 classic, use a humbucker to get closer to the recorded tone. | ✓ |
Ruby '63 Top Boost Amplifier Artist Presets
| Artist | Preset | Description |
|---|---|---|
| Tim Pierce (Studio Ace) |
62 Flatwounds In The Casino | Use the middle pickup with flatwounds for that classic British mop top sound. |
| Any Single Coil Pickup Vibe | Vibrato channel with deep vibrato and 2x12 Silver cab. | |
| Vintage Burst Bridge Sweet Spot | Use humbucker bridge pickup with this 1x12 Gold cab tone. | |
| David Ryan Harris (John Mayer) |
Cool Brit Band | Brilliant channel with the 1x12 Gold cab for extra edge. |
| Guitar on 7 | Brilliant channel with bass rolled back for midrange punch. | |
| Jangleheimer Hits | Brilliant channel with bass rolled back for a midrange-based jangle. | |
| Like a Rotating Drum Cabinet | Vibrato channel with rotating speaker-like effect. | |
| The Swirl Next Door | Vibrato channel with harmonic tremolo and 2x12 Green speaker. | |
| Jim James (My Morning Jacket) |
DI Nice Boost No Cab | Normal channel with a touch of boost. No speaker cab, for tube preamp straight-to-console sound. |
| DI Scortched Earth | Normal channel with boost and no cab for raw direct to console tone. | |
| Scortched Earth From Above | Normal channel with boost full up and lots of room. | |
| Derek Wells (Carrie Underwood) |
90s Rock Strummer | Brilliant channel with cut rolled back for a chunky rhythm sound. |
| Cool Uni Bro | Vibrato channel with harmonic tremolo and 1x12 Gold cab. | |
| The Room Is On Fire | Normal channel with treble boost and 2x12 Silver cab. | |
| The Situation Is Dire | Normal channel with 2x12 Blue cab. | |
| Jessica Dobson (Deep Sea Diver) |
Beu E Slap Real | Normal channel with maximum treble boost and 2x12 Silver cab. |
| Peter "Danish Pete" Honoré | Clean Tones | Brilliant channel with bass pulled way back for clean and warm tones using the Green cab. |
| Rock To You | Green cab with EP-III preamp for extra grit. | |
| Room Funk | Brilliant channel with airy 1x12 Gold cab and extra room sound. | |
| Tell E Bridge Crunch | Brilliant channel with bass and treble pulled back for a more midrange focused crunch. Uses 1x12 Gold cab for extra punch. | |
| Tell E Vibe Crunch | Vibrato channel with harmonic tremolo and lots of Clean "curve" boost for added treble cut. | |
| Justus West (John Legend) |
Lead Drive | Brilliant channel on 10 with maximum EP-III boost. Bass and treble are pulled back. |
| Ruby Chords | Normal channel with a touch of boost added. | |
| Lincoln Brewster | All Around Great Guy | Brilliant channel with EP-III preamp boost and minimum bass/treble. |
| Fresh and so Clean Clean | Brilliant channel on the edge of breakup with bass and treble halfway up. | |
| Les Pauls Revenge 2 | Brilliant channel with bass and treble at minimum for an aggresive midrange overdrive. | |
| Les Pauls Revenge | Brilliant channel with minimum bass for an aggresive mids overdrive. Treble is dialed back a bit. | |
| Quint Essential | Brilliant channel with EP-III preamp boost, bass off, and treble halfway. | |
| So Necessary | Brilliant channel with EP-III preamp boost and treble off for a warm overdrive sound. |
Starlight Echo Station Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| Factory Default: TAPE EP-III | Used/warm tape and machine at 500 ms with around five repeats. | |
| Factory Default: ANALOG DMM | Classic analog bucket delay with vibrato modulation. | |
| Factory Default: PRECISION | Studio standard long delay with no coloration on repeats. | |
| Factory Default: COOPER TIME CUBE | Garden hose fast slap delay with repeats. | |
| Cube 500Hz High Pass | Delay has a 500 Hz high pass filter. | ✓ |
| Cube Am Radio | Stereo bouncing treble-only delays. | |
| Cube Rockabilly Slap | Warm slapback delay sound. | |
| DMM Dirty Double Octaves | Octave swing pattern 4 with slow modulation and warm high end. | ✓ |
| DMM Fast Vibe Slap | Fast modulation speed with 180 stereo phase on a slap delay setting. | ✓ |
| DMM Slow Vibe Slap | Slow modulation speed with 180 stereo phase on a slap delay setting. | ✓ |
| DMM Smooth Dark Repeats | Custom smooth transients with dark overall repeats. Trails off into a reverb-like decay. | ✓ |
| DMM Square Mod Octave | Octave pitch swing with custom square LFO for 80s video game style sounds. | ✓ |
| DMM Sync Oct X Dirty Tri | Octave swing pattern 3 with extra an gritty calibration setting. | ✓ |
| DMM Sync Octaves | Octave pitch swing pattern 2 with reduced treble frequencies. | ✓ |
| DMM Sync Up4 Down | Swing pitch in 4ths using sync pattern 4. | ✓ |
| DMM Sync Up5 Dirty Tri | Swing pitch in 5ths using pattern 3 and a fast triangle wave modulation. | ✓ |
| DMM Sync Up5 Down | Swing pitch in 5ths using pattern 1 with extra slow modulation. | ✓ |
| DMM Warm Ambi Whole Steps | Whole note pitch swing pattern 1 with extra gritty repeats and slow modulation. | ✓ |
| DMM Warm Ambient Repeats | Extra soft transients and warm high end for great ambient volume swells. | ✓ |
| EP Dark Tape3 | Tape machine C with dark headstack setting. | ✓ |
| EP Smash Comp Tape2 | Tape machine B with headstack compression circuit at maximum. | ✓ |
| EP Spliceplex Tape2 | Tape machine B with multiple tape splices. | ✓ |
| EP Warm Tape1 | Tape machine A with warm headstack setting. | ✓ |
| EP Xtra Dirty Heads Tape3 | Tape machine C with extra dark headstack setting. | ✓ |
| EP into Vibey Buckets | EP-III routed into DMM with a classic vibrato echo. The DMM sound is hardwired, but the EP-III sound is adjusted with the pedal controls. | ✓ |
| PREC Circular Crossfeed | Custom crossfeed setting for a left, right, and back to center delay trail. | ✓ |
| PREC Glide Time wCrossfeed | Custom crossfeed setting for a left, right and back to center delay trail. Also uses a glide (pitch swing) when changing delay times with tap tempo or the Delay knob. | ✓ |
| PREC Spin Cycle Mod | Custom 2nd delay modulation setting for a fast rotating speaker sound. | ✓ |
Starlight Echo Station Artist Presets
| Artist | Preset | Description |
|---|---|---|
| Tycho | Bionic Limb | Slap echo with a touch of vibrato for depth. |
| Dream or Memory | Slap echo with lots of feedback. | |
| Drip | Lots of feedback for that extra drippy ambience. | |
| Monday Drive | Maxed out input level for smashing your amp. This is a loud and boosted preset so proceed with caution! | |
| Wide Bucket | Long delay with a touch of chorus modulation. | |
| Tim Pierce (Studio Ace) |
TP Lush | Dual delay with a touch of chorus modulation. |
| Tyler Bryant (Tyler Bryant & The Shakedown) |
Copycat Precision Chorus | Clean delay with some modulation for width. |
| Solo Magic | Analog slapback for adding depth to overdriven solos. | |
| Stank Face Slap | Tape B slap for adding stank to an overdriven amp. | |
| Too Close Cooper | Long garden hose slap with 1K filter. |
Woodrow '55 Instrument Amplifier Factory Presets
| Preset | Description | Custom Features |
|---|---|---|
| Factory Default | Classic cranked up 70s rock sound with a little room ambience. | |
| 1x12 GB25 Off Axis | GB25 greenback with Dyn 57s off-axis for smoother sound. | ✓ |
| 1x12 JP12 Blue Off Axis | Stock blue speaker with Dyn 57s off-axis for a warmer small combo sound. | ✓ |
| Big British Stack 67 | Jumpered channels with midrange boost and off-axis tube Con 67 mics for a classic rock vibe. Great with humbuckers. | ✓ |
| Dimed Dual Cabs GB and JBF | A custom setup using GB25 and JBG120 with off-axis Dyn 57s, hard-panned for extra depth. | ✓ |
| Dirty Blue 421s Off Axis | Jumped channels with boost and off-axis Dyn 421 for dirty rhythm sounds. | ✓ |
| Dual Ribbon Rock Doubler | Custom setup with hard-panned Rib 121 and Rib 160 on-axis ribbon mics with EP preamp engaged. Has a tight room as a doubling sound for a wide rock rhythm tones. | ✓ |
| Huge Room 4x12 Rib 160 Off Axis | Vee30 4x12 with warm sounding Rib 160 mics off-axis . For those about to rock, use a humbucker and push it hard! | ✓ |
| Jangly Dual Cabs Blue and Green | A custom setup with the GB15 (Con 414) and Blu25 (Dyn 57) hard-panned for extra depth. Use single coil guitars for that extra chime. | ✓ |
| Pedal Platform 414 GB25 | KP-3K tone with low input for clean sound. Also uses custom setting Con 414 mics for wide range of high and lows. | ✓ |
| Small Studio JBF120 | Custom-tuned small live room with clean amp for 60s era pop/jazz tones. | ✓ |
| Spanky Strat Funk | Mid scooped 4x10s with Con 414 mics and extended high frequency EQ. Allows the amp to have a lower tone control setting while getting the air from the cab and mics. | ✓ |
| Super Dry Clean 10s | Low input clean with extra air added to Dync 57 mics. No room ambience used. | ✓ |
| Thick 4x12 Rib 160 On Axis | Vee30 4x12 with warm sounding Rib 160 mics on-axis. Great for UK half-stack sounds. | ✓ |
| Woodrow Fuzzy Tweed | Boosted and crushed tweed with greenback speaker nastiness. | |
| Woodrow GB Clean | Low input clean sound with warm highs and mids. |
Woodrow '55 Instrument Amplifier Artist Presets
| Artist | Preset | Description |
|---|---|---|
| Tim Pierce (Studio Ace) |
Humbucker Bridge Pickup | 1x12 Blu15 cab with KP-3K preamp for overdrive bridge pickup tones. |
| Single Coil Neck Pickup | Inst and Mic channel blend for thick but clear single coils tones. | |
| Woman Tone Lead | Use your humbucker guitar and roll the tone back for extra singing 60s tones. | |
| David Ryan Harris (John Mayer) |
330 PM | 1x12 JB120 cab with 414 condenser mic for upper midrange tones. |
| Clean Humbucker | 4x12 Vee30 cab with ribbon 160 mic for thickness. * Uses custom boost/input setting (Tape EP-III boost into the low input). |
|
| Dad's Recital | 4x10 B-MAN cab and dynamic 57 mic for big sparkly tones. | |
| Pea Nineties | EP-III boost warmth with amp on 12 overdrive. | |
| Saggy Bridge | Blu15 cab with full boost from EP-III preamp for a smooth implosion. | |
| Jim James (My Morning Jacket) |
Nice Overdrive | Full up clean "curve" boost that adds high and tight lows. Paired with 1x12 Blu15 cab for extra edge. |
| Nicer Overdrive | Big and round overdrive with a blend of Inst and Mic channels. | |
| Woofing Zapping Dry | Boost and both amp channels on 12 for maximum amp blowing up tones! | |
| Zapping DI | Boost and both amp channels on 10 for maximum amp blowing up into the recording console tones! Speaker cab disabled. | |
| Peter "Danish Pete" Honoré | Broken Room | 1x12 Blu15 cab with EP-III preamp for warm but open midrange tones. |
| Clean Room | 1x12 JP12 cab set for a classic tweed clean sound. | |
| Fat Cleanish | 4x12 Vee30 bridge pickup overdrive. | |
| Fat Crunch | 4x12 Vee30 bridge pickup overdrive using clean "curve" boost for added midrange punch. | |
| Tell E Bridge Rock | 4x12 Vee30 and KP-3K preamp boost to add depth to single coil bridge pickups. | |
| Lincoln Brewster | Black and Blue | Blu15 cab with full boost from EP-III preamp and tone knob full up. |
| Rollin' Round in the Dirt | JBF120 cab with EP-III preamp boost and tone knob full up. |